By looking at Jackson Pollock and his drip painting technique, I transformed a white fabric into an expressive costume.
Experiment | From White Fabric to Expressive Costume

By looking at Jackson Pollock and his drip painting technique, I transformed a white fabric into an expressive costume.
When I was in Manila, it was cheap to send Nike shoes for laundry service, moving to London, I didn’t clean them as often as I did in Manila due to the higher price. So one pair of my white sneakers got dirty and dirty as I always wore them at the studio.
This is the presentation of the project Artefact
“I think if human beings had genuine courage, they’d wear their costumes every day of the year, not just on Halloween. Wouldn’t life be more interesting that way? And now that I think about it, why the heck don’t they? Who made the rule that everybody has to dress like sheep 364 days of the year? Think of all the people you’d meet if they were in costume every day. People would be so much easier to talk to – like talking to dogs.”
― Douglas Coupland
“A dress transforms into an artwork, back into a dress and into an artwork again. Poetry becomes reality, morphing back into fantasy.”
— Viktor & Rolf
In 2011, the 21_21 Design Sight in Toyko launched Irving Penn and Issey Miyake: Visual Dialogue – a stunning document of their 13- year collaboration, Miyake came to define a radical Japanese aesthetic that shook up the fashion status quo in the 1980s and 90s.